呼嘯山莊 本書特色

《呼嘯山莊》19世紀(jì)英國(guó)女作家艾米莉·勃朗特經(jīng)典代表作，《呼嘯山莊》小說(shuō)出版后一直被認(rèn)為是英國(guó)文學(xué)史上一部“奇特的小說(shuō)”。 《呼嘯山莊》一反同時(shí)代作品普遍存在的傷感主義情調(diào)，而以強(qiáng)烈的愛(ài)、狂暴的恨及由之而起的無(wú)情的報(bào)復(fù)，取代了低沉的傷感和憂郁。雖然剛開(kāi)始時(shí)曾被人看做是年輕女作家脫離現(xiàn)實(shí)的天真幻想，但結(jié)合其所描寫地區(qū)激烈的階級(jí)斗爭(zhēng)和英國(guó)的社會(huì)現(xiàn)象，不久后便被評(píng)論界高度肯定，并受到讀者的熱烈歡迎。根據(jù)這部《呼嘯山莊》小說(shuō)改編的影視作品至今久演不衰。
本版《呼嘯山莊》為英文原版，同時(shí)提供配套英文朗讀免費(fèi)下載，在品讀精彩故事的同時(shí)，亦能提升英語(yǔ)閱讀水平，下載方式詳見(jiàn)圖書封底博客鏈接。
Wuthering Heights is Emily Brontë’s only novel. Written between October1845 and June 1846,Wuthering Heights was published in 1847 under the pseudonym “Ellis Bell”; Brontë died the following year, aged 30. Wuthering Heights andAnne Brontë’s Agnes Grey were acceptedby publisher Thomas Newby before the success
of their sister Charlotte’s novel, Jane Eyre . After Emily’s death, Charlotte edited the manu* of Wuthering Heights , andarranged for the edited version to be published as a posthumous second editionin 1850. 《呼嘯山莊》19世紀(jì)英國(guó)女作家艾米莉·勃朗特經(jīng)典代表作，《呼嘯山莊》小說(shuō)出版后一直被認(rèn)為是英國(guó)文學(xué)史上一部“奇特的小說(shuō)”。 《呼嘯山莊》一反同時(shí)代作品普遍存在的傷感主義情調(diào)，而以強(qiáng)烈的愛(ài)、狂暴的恨及由之而起的無(wú)情的報(bào)復(fù)，取代了低沉的傷感和憂郁。雖然剛開(kāi)始時(shí)曾被人看做是年輕女作家脫離現(xiàn)實(shí)的天真幻想，但結(jié)合其所描寫地區(qū)激烈的階級(jí)斗爭(zhēng)和英國(guó)的社會(huì)現(xiàn)象，不久后便被評(píng)論界高度肯定，并受到讀者的熱烈歡迎。根據(jù)這部《呼嘯山莊》小說(shuō)改編的影視作品至今久演不衰。 本版《呼嘯山莊》為英文原版，同時(shí)提供配套英文朗讀免費(fèi)下載，在品讀精彩故事的同時(shí)，亦能提升英語(yǔ)閱讀水平，下載方式詳見(jiàn)圖書封底博客鏈接。 Wuthering Heights is Emily Brontë’s only novel. Written between October 1845 and June 1846,Wuthering Heights was published in 1847 under the pseudonym “Ellis Bell”; Brontë died the following year, aged 30. Wuthering Heights and Anne Brontë’s Agnes Grey were accepted by publisher Thomas Newby before the success of their sister Charlotte’s novel, Jane Eyre . After Emily’s death, Charlotte edited the manu* of Wuthering Heights , and arranged for the edited version to be published as a posthumous second edition in 1850. Although Wuthering Heights is now widely regarded as a classic of English literature, contemporary reviews for the novel were deeply polarised; it was considered controversial because its depiction of mental and physical cruelty was unusually stark, and it challenged strict Victorian ideals of the day regarding religious hypocrisy, morality, social classes and gender inequality. The English poet and painter Dante Gabriel Rossetti, although an admirer of the book, referred to it as “A fiend of a book – an incredible monster [...] The action is laid in hell, – only it seems places and people have English names there.” The novel has inspired adaptations, including film, radio and television dramatisations, a musical by Bernard J. Taylor, a ballet, operas, and a 1978 song by Kate Bush.